Week 2 Update!

4/12/2023
I’ve been diving into my first book for the quarter, The Milk of Almonds: Italian American Women Writers on Food and Culture. I’ve hardly made a dent in it, but already I’ve learned about multiple cultural food traditions that’s I’d never heard of before. It makes me excited for my own book, which is still taking form in my mind. I made sure to pop by Photoland in the Library building basement to confirm I’d have access to Adobe InDesign when it comes time to actually design my cookbook–and thankfully I will!

I’ve gotten my learning objectives revised and feel a lot more confident in where I’m going with my work this quarter. I’ve started on the creative writing vignettes and am excited to try my hand at writing a craft paper in the next couple of weeks.

4/17/2023
Week 2 was busier than I expected, but I still managed to write out two vignettes that I’m quite proud of. I didn’t read as much of the book as I wanted to, but that can be my main focus for Week 3.

I almost forgot how difficult it can be to juggle responsibilities, especially when doing an ILC. I found myself forget to do simple things, the small details that I normally never mess up, but to forget is human. I’m grateful for the community I have around me, ready to assist me when needed and take care of those small things even when I forget to ask for help. Feeling that support definitely makes taking on this Senior Capstone a lot less daunting.

As I enter Week 3, I feel like I’ve finally found a good rhythm for my ILC. I’ve already begun a rough layout of what my cookbook will like, hoping to save myself some stress come Weeks 8 and 9. Having this ePortfolio is also a great help in keeping myself on track, especially posting to this page. I hope to be more specific in my Week 3 update about my work, I’ll try and get some photos of the work I’m doing as it progresses!

Slow-Cooked Mornings

I’ve never been much of a morning person, my insomnia making early afternoon a preferable wake up time, but I fondly remember weekend mornings stirred from my bed by the smell of my parents’ cooking. Saturdays and Sundays were meant for late mornings, often with Mom at the stove and Dad returning from a bakery or patisserie with treats in hand. When I reflect on those mornings gone by, a warm feeling settles in my chest. What love to know someone is waiting for you when you wake up.

My favorite breakfasts were when Mom would cook up potatoes and eggs with either sausage or bacon, all cooked up in a cast iron skillet. The smell of sautéing onions would rise up from the pan laid atop the flame. The aroma and sound of sizzling would set my stomach to rumble, reminding me what such a late wake up time did my hunger no favors. Just as I loved falling asleep to the soft sounds of rainfall, I loved waking up to the sound of something sizzling in the pan echoing down the hall. 

In grade school, Dad would bring us swan pastries on many a Saturday morning. As long as I’ve lived (and surely longer), I’ve never known my father to sleep in. Always awake before 7am, I still marvel at his internal clock—and remain thankful mine seems set to 11am most days. These swan treats were cream puffs filled with a light, whip-cream like filling, dusted with powdered sugar. The top was made to look like feathered wings, a delicate swan neck and head arising from the front of the pastry. It was one of the most beautiful desserts I’ve ever seen—and to this day my favorite pastry. He would get them from a French Vietnamese bakery by the name of Lan Vin. At the time when my dad would stop there on those Saturday mornings, their storefront was still in SE Portland, not very far from our neighborhood. The bakery eventually moved locations to NE Portland, in the same building as Pho Oregon. This is the storefront I became familiar with in high school. I was always so excited when I saw that pink box on the counter. It was my favorite part of Saturdays back then, and I found myself anticipating the treats once the week restarted. 

These days, breakfast usually happens in a rush. My insomnia still has me cutting it close to when I need to leave for work, often only giving myself 30 minutes to eat. But on the weekends, breakfast remains a slow affair. I usually don’t start cooking until past noon. I’ll stumble out in an old t-shirt of my dad’s that falls almost to my knees, socks and slippers on my feet, and start on my morning ritual.

The motions of cooking are peaceful, reminding me of those calm mornings of childhood. I sometimes wonder if nostalgia tints those days rosier than they were, but I know the memory of my emotions is a truer recount than my memory of events, so I lay that worry to rest. Dressed in my dad’s shirt as I stand over the stove as I often saw Mom do, I find myself caught between the past and present once again. An echo of my parents lingers in my kitchen, a step behind me in ghostly figures as I meander my way around the counters and stoves. A funny thing, how the living can haunt as the dead do. Perhaps memory is really some strange land where life and death exist just the same, unable to tell each other apart.

Ghostly Hands

“The recipe—the memory of her mother’s hands—had been lying dormant on her tongue for all those years. Tasting it must have been a kind of homecoming.”

Grace M. Cho, Tastes Like War

I cook by memory more than I cook by recipe. The ghosts of my parents’ hands guide mine as I prepare ingredients, no measurements to be found, but direction nonetheless. If I turn just right, I could see a shadow of my sister next to me, showing me what to do. There are specters, both living and dead, in the kitchen with me, haunting my spice cabinet and pantry.

My mother taught me to make the family’s Italian stuffing when I was still young enough to wear her aprons as a dress. A dish as comforting as it is filling, it appeared every year during the holiday season. She would tell me the history of the recipe, how it traveled from the Old Country to here, with us. It was once written down somewhere with the rest of her Nana’s recipes (pronounced Nah-Nuh, which we theorize is our Americanized version of Nonna), but was passed down to me in the oral tradition.

Mom taught me how to brown the ground pork with salt, pepper, and crushed garlic. How to squeeze water from the spinach and soak the bread in milk. She showed me how to mix all the ingredients in a large bowl. I remember watching her glove covered hands, mixing and kneading, incorporating everything together so no bite would be without the full flavor of the dish. I would marvel at how she never burned her hands despite the heat of the pork just pulled from the stove. Her hands, covered in gold and silver rings made strong from decades of hard work, used to guide my own, small and smooth with youth, in our family’s kitchen.

Cravings dictate my cooking, and my cravings are as mixed as my ancestry. It makes me wonder who exactly is in the kitchen with me; telling me how many cloves of garlic to use, what amount of sesame oil to pour, how long to cook salmon, when to pull the pork from the stove. Intuitive things that require no scale nor clock. Often, it’s my parents’ voices echoing in the back of my head, the same voices that have taught me to cook since I was three and unable to reach the stovetop. Other times, it’s not so much a voice as a gut-feeling that doesn’t wholly belong to me. Some force—some ghost—telling me to wait just a few seconds more before killing the flame or use oregano but not the basil. An interesting instinct; knowledge I don’t remember acquiring, but that I’ve come to know well. By virtue of knowing my own taste buds and that same ghostly intuition, I read the ingredients of an unknown dish and know I will enjoy it—know that it will satisfy me as my comfort foods do.

On September 20, 2020, my father and I made our first jar of kimchi together. With time on both our hands like never before, he fulfilled my years old request of picking back up this food tradition his mother once practiced. Armed with old, glass kimchi jars long since purchased from our usual Korean grocery store and a recipe from an online Korean-run cooking blog, we took up the task of trying to recreate the memory of Grandma Myo Jin’s kimchi. It was something I had never tasted, so it was up to Dad alone to be our guide into the unknown.

The process of making kimchi is one of hands; chopping the salted shrimp, mincing the garlic, grating the ginger, salting the cabbage leaves, slicing the radish, and so on. It’s a day-long process just to put the seasoned leaves into a jar before letting it sit for at least two weeks. A somewhat laborious task that is well rewarded. Dad advised me what knife to use before I made a small cut and split the Napa cabbage the rest of the way with my freshly washed hands, using gentle force so as not to ruin the leaves. I salted the cabbage and bathed the quarters in saltwater while Dad went about making the paste, employing my help for some of the chopping. He removed his rings, and I watched as his large, heavy hands minced the salted shrimp with the skill of many years in the kitchen.

It was left to me to cover the leaves in the paste once their eight-hour soak was up and the excess salt had been properly rinsed off. I covered my hands in gloves and set to work, Mom and Dad both popping into the kitchen to see my progress. Putting the kimchi into the jar proved a messy task and my forearms were stained with lines of bright reddish-orange by the time I was done.

People speak of ancestors guiding them in the kitchen and I wonder, which ancestors? My lineage is a tangle of vines connecting different trees to each other, in the middle of the entwinement lies my siblings and me. As mixed as we are Americanized—two facets of my cultural and ethnic identities that are inseparable from each other and myself—we still carry with us ties to the past, most notably through food. It’s been theorized that taste can be inherited, and I wonder if that is another form of being haunted. Our ancestors still hungering from beyond the grave, still wanting to feed their children no matter how many generations separate us.

Week 1 Update!

Week 1 was all about fine-tuning my ILC description and revising my learning objectives (LOs), which can be found at this link. My biggest struggle whenever planning an ILC is making sure my LOs actually read as being related to each other. This quarter, I could see in my mind how each LOs related to one another, working towards the goal of my Senior Capstone Project, but the way in which I wrote them out made them seem completely disjointed. My faculty, Sarah Williams, provided helpful tips for how to rectify this situation. She suggested I look at what I want the final outcome of this ILC to be (my Senior Capstone Project), then take it step-by-step explaining how each LO (craft papers, creative writing, working with Adobe InDesign) will help me to achieve this goal. By doing this, not only did I strengthen my ILC contract, I actually got a clearer picture of what I need to do during the quarter and what I want to achieve by the end of it.

I revising my LOs, I also realized what was a realistic goal for me to accomplish, and what parts I might want to minimize for the sake of time. I ended up reworking the creative writing/craft paper LO, splitting it into two LOs instead of one, and scaling down the work needed to accomplish each. Instead of trying to write three craft papers alongside two 10 page creative writing papers, I talked with my faculty Catalina Ocampo (who’s overseeing the craft papers and creative writing) and we decided the best course of action would be for me to write only two craft papers and multiple smaller pieces of creative writings.

I anticipate Week 2 will be all about finalizing my ILC and starting on my writings and readings!

About Me

daughter of the empire and the conquered
i never know if i am being called to dinner as the diner or the feast

homecoming by lee 이 therese

Food has always been more than just nourishment in my life. Cooking and eating were practices in community, comfort, connection, and joy—a practice my family and I tended to daily. Even as a child I had started down the path of food studies without ever knowing where I was walking. My childhood was filled with cooking shows and cooking lessons, trips to grocery stores and restaurants that felt like my favorite field trips, and my family sitting down to dinner nearly every night. It was a path that has led me to now, this Spring 2023 ILC and my Senior Capstone Project where I seek to bring together my passions for food studies, specifically foodways within diasporic groups, cultural studies, and community-based journalism. I have long been a cook and a writer, so it only seemed fitting to take on the task of creating my own cookbook to serve as my Senior Capstone Project. Understanding food as home, and what that home can mean when connected to a complex cultural identity, is the crux of my work this quarter and what I seek to answer with this project.

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